“I love to go a wandering upon the mountain track, and as I go I love to sing, my knapsack on my back…”* My sister and I learned this song in school as children. Living near the Sierras or Coastal Ranges of California, we would sing it together whenever we hiked up a trail.
Warm sunshine, wildflowers, scent of pines, and glimpses of wildlife delighted as we made our way up a winding path to our destination of mountain lake, trout stream, or lookout point.
I still like to trek trails and walk paths, and as I go I love to sing … or pray, or compose poems, fueled by the enchantments of the natural world around me and a sense of awe and companionship with God or with a friend.
What is it about a path, a trail, a road winding up ahead that lures the imagination in and up and through and over? I love paintings and photos of paths because they draw me into the scene and cause me to want to know what is around the bend of the road or behind the garden gate, or over the hill. I imagine myself entering the hidden part of the scene to experience its surprises.
Opening a new book offers a similar feel, like following a trail to see what’s around the bend, or entering the half hidden door in the stone wall to find a secret garden, or stepping onto a beckoning path to the mysterious woods.
I hope readers of my poetry will feel the wonder of mountain vistas and the enticement of new paths. For instance, I hope my readers feel the delight of the scene as they engage with these poems in my Glimpsing Glory collection:
BREATHING
Wind, not blowing,
entered my being
in a rain-soaked
old-growth
Redwood forest
as I inhaled sweetness
of damp sorrel,
dank ferns,
deep-needled floor,
and wisdom of
ancient trees,
their roots intertwined,
their heads drinking
coastal clouds,
as sun rays streamed,
sighed through fog
into that timeless
conscious moment.
Grounded.
WALK
Walk with me,
not alone,
along cool stream.
Rue the gloom,
eschew doom.
The sky’s above,
the forest’s green,
heart’s full of love.
Walk now,
alone with me.
SPACES BETWEEN
The spaces between things seem
to take on lives of their own.
Dark holes have shapes that move us.
Important nothings have megaphones.
A holding of breath between gusts,
hands so close don’t quite touch,
a rest in a music score,
stillness before a storm.
Nothings open new possibilities
for something not yet that may be,
that heart place that nothing can fill
(or nothing has yet come to fit).
The dark shape watching me turns out
to be created by edges juxtaposed
of ferns, flowers, rocks, and shadows
(how fairies come to life, I suppose).
The spaces between things—between us—
compel, speak… entice….
WAYSIDE
Off every pleasant way are
waste places, unforged, where
herbs grow wild demeanors
and a ditch is a deep gorge.
I’ve heard of wayfarin’ strangers
in a song of wistful lay;
but ‘poor and plaintive souls’?:
Heirs of love are called to hope.
When clouds are dark, waygoing late,
then love may lead by thorny paths,
but taking the hand, the next step—
leads to a bright and wider land.
These poems appear in Glimpsing Glory: Living & Dying, Praying & Playing, Belonging & Longing ©2020 by Catherine Lawton.
My sister and I on a mountain hike in recent years. Still climbing, still curious, still adventuring, still singing!
*Song lyrics credit: “I Love to Go a Wandering” song by Elizabeth McMahon
Photos credit: The three path photos above are taken, with permission, from “Along the Path” sections of the book God’s Wild Herbs.