The view of the Rocky Mountains from one of the buildings at Colorado Christian Writers Conference
Looking to attend a Writers Conference? Consider the wonderful setting, great staff and faculty, and nurturing atmosphere of the Colorado Christian Writers Conference, usually held in May in Estes Park, Colorado. We love going there, meeting with prospective authors, and presenting workshops. We’d like to meet you there. (We have met several of our authors there!)
A few other reasons to attend:
Marlene Bagnull is the director (You can listen to an interview with Marlene on blog talk radio, http://ow.ly/JI3lY )
Large Faculty of agents, editors, and authors
Free appointments with faculty of your choice
Some examples of great workshops in recent years:
Fiction Clinic w/Tracie & Jim Peterson, author 100+ books
Nonfiction Book Clinic with Craig Bubeck
Writing Powerful Narrative Nonfiction with Sherri Langton
The marshy field in this photo teems with life. When our car speeds by it, though, we don’t notice or experience the wildlife hidden in the grasses, wading in the mud, singing from the reeds. One day we stopped our car, rolled down windows; looked through binoculars; listened, felt, smelled; tasted the breezes. Myriads of bird life, colors, textures of fauna and flora brought the place alive to us. Good writing does that also: draws in the reader, reveals hidden things, opens possibilities.
I taught from the following list at a recent writers workshop. Afterwards, a couple of wide-eyed writers said to me, “You really want good writing.”
Well, yes, I do! The better-written a manuscript comes to me, the more I like it. Here at Cladach we may resonate with the premise and material of a nonfiction manuscript—we may like a novel’s characters and plot—so much that we are willing to devote the editing time needed to bring the writing quality and style up to these standards. We may ask an author to go back and re-write/revise/re-work a manuscript. Then we also do in-house macro editing, line editing, and copy editing. The following list gives most of the elements of style and “good writing” that we look for in a manuscript and strive for in the books we publish.
Here’s how to give your writing pizzazz so readers will want to invest in it, engage with it—be entertained, convinced, and inspired by what you say. Check your writing against this list to make sure it communicates as clearly and persuasively as possible.
1. Have you written from your heart as well as your mind? (If not, read this post. If yes, go on to the rest of the list.)
2. Write in the active voice. Choose strong, active verbs.
3. Write concretely, rather than abstractly. Show, don’t just tell. Appeal to all the senses.
4. In nonfiction as well as fiction, use storytelling as much as possible.
5. Stay in a definite, consistent POV. Through whose eyes is the reader seeing?
6. Hook the reader on the first page/ first paragraph/ first sentence/ first word.
7. Keep the reader’s attention as each word, each sentence, each paragraph, each chapter leads to the next.
8. Maintain a logical or chronological flow of thought or action. Use transitions when needed.
9. Strive for precision and conciseness. Cut extraneous/ repetitious words and phrases. Less is more.
10. Give thought to word choices—consider subtleties, connotations, nuances; find the zing and zest of the right word.
Are editors always this long-faced? 🙂 Maybe we have all seen too many proposals and manuscripts with these errors in them. (See the list below.) In this photo, I’m sitting in the middle of a panel of book editors and agents at CCWC May 2016. We’re all considering a serious question posed by a conferee. But plenty of light, humorous moments occurred at the conference also–and lots of encouragement and inspiration, as well.
If you are a Christian writer, I want to encourage you to attend the Colorado Christian Writer’s Conference. This great conference is just two weeks away, but there is still time to register. I will be at this conference and I would love to meet you there. You can come for 1, 2, 3, or 4 days. You can stay in beautiful YMCA of the Rockies or commute. Come if you can! Here’s more information from the conference director, Marlene Bagnull:
Colorado Christian Writers Conference
A note of encouragement from Marlene Bagnull, Director:
Do you ever doubt your abilities as a writer?
Have you almost given up on getting published in today’s competitive market?
Do you hate the “slush pile” and wish you could talk to an editor one-on-one?
Are you secretly terrified of the idea of building a “platform”?
Do you feel like you’re all alone in your writing adventure/struggle?
Is it really worth hanging in there for the long haul?
Is there a desire burning in your heart to write words that will potentially lead others to Christ?
7 Top Reasons You Need to Come to the May 11-14 CCWC
Master the craft of writing. Okay, no one will ever achieve that lofty goal. There’s always more to learn. But as one conferee said, the Colorado Christian Writers Conference is equivalent to a semester college course in writing. A faculty of 56 editors, agents, and authors will provide instruction for wannabe and advanced writers of fiction from Christian speculative to historical, point of view and voice to making a scene. Nonfiction writers will find help for writing Bible studies, memoirs, articles, and much more. With 59 workshops and 8 continuing sessions to choose from, there really is something for everyone.
Learn how to sell your work to potential publishers or explore the how-to of indie publishing. Whether you’ve received more than your share of rejection slips or have yet to get your first, two of CCWC’s eight continuing sessions that will provide the answers you need are: “Indie Publishing Boot Camp” and “Writing a Winning Book Proposal.”
Face to face opportunities to pitch your work to editors and agents. In today’s publishing world the only way to connect with many agents and editors is through meeting them at a conference. Those who register for Thursday through Saturday are entitled to FOUR 15-minute one-on-one appointments with the faculty of their choice. You’ll find lots of helpful info on how to prepare and make the best choices by clicking on One-on-One at http://colorado.writehisanswer.com.
Learn the craft of marketing/promoting your published work. Yes, it’s a craft, and not one that comes naturally to most writers. I’ve often said that the reason I quit Girl Scouts was the stress of trying to sell cookies. Whether or not you enjoy marketing, though, you hold the key to the sales of your book. And the good news is that marketing can be learned. We have a track of six hour-long marketing workshops and a continuing session on “Thriving in Today’s Publishing World.”
Friendships with other writers. Writers connect deeply with one another faster than I ever have in the chit-chat before and after Sunday-morning worship services. A key verse that I’ve sought to follow is 1 Thessalonians 5:11, “Encourage each other to build each other up” (TLB). It happens every year at CCWC!
Inspiration and encouragement to keep on keeping on. Louise Looney is well qualified to teach the workshop, “Still Climbing – Not Over the Hill.” Since turning 75, she has written four books. Allen Arnold’s continuing session, “From Overwhelmed to Creative Breakthrough,” will provide a refreshing journey for anyone who feels disheartened. And, of course, we also offer eight inspiring keynote addresses and times of worship.
And the Number 1 Reason to come to the Colorado Christian Writers Conference: Renew your faith and passion to “write His answer.” Each year Father meets us on the mountain and challenges and equips us to write about a God who is real, who is reachable, and who changes lives.
There’s still time to register and to request appointments. Housing is still available at the YMCA – Estes Park Center. Thanks to the Y’s spacious classrooms, none of the workshops or continuing sessions are filled. For much more info and secure online registration go to http://colorado.writehisanswer.com. If you need time payments or scholarship help, please ask. Email me at firstname.lastname@example.org or call 484-991-8581.
Today I’m sharing a guest post written by a friend, a retired pastor who writes encouraging, daily meditations for his Facebook followers. This kind of writing takes discipline and a heart that is attuned both to the Lord and to people and their real needs.
Writing is good for spirit, soul, mind. I don’t mean texting or e-mailing. I mean paper, pencil, and eraser writing. Because it’s slow. You have to be thoughtful. There is time to choose words, create effective phrases, eliminate unnecessary words, refine thoughts, evaluate what you are saying.
Things written penetrate deeper, with more impact, and last longer. Proverbs 7:13 advises writing God’s wisdom and instruction deep within your heart. Hebrews 8:10 records God saying, “I will put my laws in their minds and I will write them on their hearts. I will be their God, and they will be my people.”
I think it was my friend, Jim Copple, who said to write something every day. In writing, spirit, mind, and soul get to breathe deeply. A spark of thought grows into a flame, and I grow. Having lighted a candle, I may pass the little flame on to whomever may need or find it useful.
Write something every day. No, not a “to do list.” Write a prayer, a personal note, a journal entry, or even just random thoughts. Paper and pencil have advantages over lighted screens and keyboards. A writing, praying, thinking place in your home is also beneficial.
How does the writer effectively pull in the reader, take hold of his hand, and keep him reading? How does a writer achieve her goal of changing her reader’s thinking, of painting pictures in his mind that give pleasure, insight, and hope? The writer’s success depends largely on how she arranges her words in sentences.
In my previous post I mentioned periodic sentences. This sentence-writing technique places the most important, impactful words at the end. This arrangement is effective for two reasons: 1) The last words you read or hear are the ones you remember best. 2) When the entire sentence leads up to those final words, the reader doesn’t want to stop reading. He anticipates; his mind and emotions engage; he wants to find out where this is leading.
In each of the following pairs of sentences, the first sentence gives you the punch words at the beginning, and the second sentence saves until last the juicy words.
♦ ♦ ♦ ♦
Did he notice the teeming wildlife—snapdragons, butterflies, cottontails, and Yellow-headed Blackbirds—when he looked out across the meadow?
When he looked out across the meadow, did he notice the teeming wildlife: snapdragons, butterflies, cottontails, and Yellow-headed Blackbirds?
Eating is his favorite activity and snickerdoodles are his favorite food.
He says his favorite activity is eating, and he especially enjoys snickerdoodles.
We got big, pink snow cones and we rode the merry-go-round when Grandma took us to town.
Grandma took us to town to get big, pink snow cones and ride the merry-go-round.
Driving a fire truck is what I’ve always wanted to do.
All my life I’ve wanted to drive a fire truck.
We heard the computer keys clicking so we knew she was working in the next room.
We knew she was working in the next room because we could hear the computer keys clicking.
We drank our last ounce of water before we had climbed up the mountain halfway.
Halfway up the mountain we drank our last ounce of water.
Come to the Father when life makes no sense, and you don’t know what to do.
When life makes no sense, and you don’t know what to do, come to the Father.
I assume you mean “Suggested Retail Price” when you say “SRP.”
I assume “SRP” means “Suggested Retail Price.”
Feeling his arm around me gives me more consolation than anything else.
Nothing gives me more consolation than feeling his arm around me.
I’d spend a week in Paris with you if I could have anything I wanted in the whole world.
If I could have anything I wanted in the whole world, I’d spend a week in Paris with you.
I love you, Lord, for who you are and for all you’ve done for me.
For who you are—and for all you’ve done for me—I love you, Lord.
Listen with the ears of your heart when you listen.
When you listen, listen with the ears of your heart.
Keep an open heart when you say your prayers.
When you say your prayers, keep an open heart.
Are you already consciously using periodic sentences? Do you think your writing would improve if you consider each sentence with your reader in mind, and rearrange words?
“To get the right word in the right place is a rare achievement.”
The most apt word you can find put into the place that it will work best.
Picking the right word and putting it in the best place in the sentence.
The right word in the best place.
The right word in the right place.
I’ve been wearing the editor’s hat lately, deeply engrossed with words and the placement of words. How does a writer or editor know they’ve got the “right word” and that they’ve got it “in the right place”?
To answer the first half of the question, you need to have an intimate acquaintance with words: use them, study them, get to know them in various contexts and come to recognize the many facets of their personalities (so to speak). I often recall my freshman college English prof lecturing about “denotation and connotation” of words. She also drilled into us the concepts of “concrete vs abstract” words. This teaching gave me a good foundation in choosing and using of words.
Read a lot. Keep a dictionary, thesaurus and style book close at hand on your desk. And use them!
Generally look for a word that is accurate, specific, strong, active, and that isn’t already used in that sentence or paragraph, or used too many times on that page.
So you’ve snagged the right word? Now, what is the right place for it? Here are a few placement issues to watch for:
1. Are the words placed in a sentence in the order in which you want the reader to process the information? Usually that’s chronological order, especially in fiction. Don’t say, “She disappeared into the shadows after she kissed him good-bye.” But say, “She kissed him good-bye then disappeared into the shadows.” Show cause first, then effect. Keep moving the action forward, not back and forth, back and forth, which gives the reader whip lash.
2. Place modifiers next to the words they are modifying. Inexperienced is what writers are who write sentences so disjointed. 😉 But show that you are an experienced, capable writer who composes well-ordered sentences. We want fluidity; we don’t want anything to stop the reader, nothing to cause him to go back and read again to get the sense of the sentence.
3. Often the most effective sentences place the most important words—the ones with punch that you want to create emotion or response in the reader—at the end of the sentence. This is called a periodic sentence. Try it—and give your writing pizazz!
4. Place words in a pleasing pattern. Read your sentences out loud and listen to them. Is the rhythm natural? If you’re writing dialogue, is this how people talk?
Those are a few little tips that can make a big difference in getting published, and in reaching and influencing readers.