Tag: The writing life

Poetry is for Sharing

This is me and a grandchild who also enjoys and writes some poetry … and who contributed art to three of my poetry books.

Poetry is for sharing. It brings people together in community to sing, listen, illustrate, recite together. Poetry that comes from the heart also touches hearts. Poetry reminds us of our common humanity. Scripture Psalms are poetry. Song lyrics and hymns are poetry. Nursery rhymes gave us some of our first experiences of rhyme and meter. As our society becomes more mechanized and tech-centered, a hunger and appreciation for poetry is growing. Really, I can’t imagine the human experience without poetry.

I started writing poems in fifth grade. Proud of my first real poem (It was about Jesus as my friend) I showed it to my Sunday School teacher. She said, “You should send this to the Junior Joys!” My parents, though, cautioned me, “Don’t get your hopes up. They receive lots of submissions.”

Well, I took courage and sent my poem to the publication’s masthead address. Then waited. About six months later, it appeared in print! To think that Sunday School kids and their parents across the country were reading verses of my words and feelings. Those verses  expressed something others could relate to—and maybe be encouraged by. Perhaps my little poem helped them put words to their own experience, or the experience they wanted to have.

As I grew up, composing poems in my journals to express childhood wonder—or teenage angst—was mostly private outlet. But the verses stepped out of my personal reveries and the locked pages of my diary when I contributed a piece to my high school poetry journal. Then a teacher asked me to read another of my poems to the class. And later, my college creative writing teacher read a poem of mine to her class.

In those situations I realized how the rhythm and rhyme, the sound and sense of a poem can connect writer, reader, and hearers in a shared experience, shape a shared vision.

As a young adult, when a friend moved away, I was asked to write a poem and read it at her going-away party. Later, for my sister’s birthday party, I composed and read a poem.

When I had a family of my own, our Thanksgiving tradition became one where each family member brought something creative to the dinner table to share: a Thanksgiving or Fall themed poem, a scripture or psalm, a picture colored for the occasion.

Through the years I got busy with church work, music ministry, freelance writing, and family. But poetry was a gift that stayed in the background and came to the fore to help me express my emotions during times of loss and grief, as well as times of wonder and joy. I sometimes shared them with friends. Then I began submitting poems to publications. Here’s an example of one that was published:

There came a time when it dawned on me I had a pile of poems produced in all stages of my life (up to then). I had published a novel and more than one nonfiction book of my own—and numerous book for other authors. Why not publish a collection of my poetry? I arranged the poems in reverse chronological order, from the most recent all the way back to that 5th grade poem from Junior Joys. So many memories!—some easier than others to recall. I titled it Remembering Softly: A Life In Poems. It included colorful art by two creative young granddaughters.

Book Cover: Remembering Softly: A Life In Poems

The book garnered positive reviews. And it fostered togetherness. For instance:

  • One niece told me she was reading the poems to her boyfriend.
  • My father, who was about 90 at the time and experiencing dementia, kept the book on his chair-side table to pick up and read now and then. He was convinced that the picture on the cover was me! I couldn’t change his mind on that, but I decided that was okay if it helped him feel closer to me (since I lived hundreds of miles away).

When you’re a poet and/or a lover of poetry, you talk with friends about poetry. Here’s a pic from a video of me chatting with a friend about her poetry:

When I’ve had opportunity, I have taught others about poetry, to help them appreciate its depths and treasures, and to help those who want to communicate through poetry to learn poetic techniques. This happened mostly at writers conferences.

Poetry readings also bring people together around the sharing of poetry. At this local literary event, I read from Remembering Softly to an audience of all ages. It was a new experience for me to not personally know a single person in the audience:

You just never know where and to whom your poetry will go. Here is a friend and loyal fan, Jim. He lives in Texas where his local B&N store held open mike nights. He took my second published book of poetry, Glimpsing Glory, and read from it to the assembled bookstore cafe crowd!

Glimpsing Glory came out at the same time as the Covid pandemic. One reader, a businessman, frustrated with lockdown and online meetings, shared this poem with a Zoom group:

Screen time in spring is deadening,
though perhaps necessary.
But more needed is the feel
of mountain breezes in your lungs,
a rocky trail under your feet,
the velvet of unfurling leaves
sweet scents of new-mown grass
and just-turned earth,
the taste of first strawberries.

Book signing events happen, too, now and then. My husband, Larry, and I participated in this event in Denver where I signed and sold books, including the illustrated Christmas story-in-verse, Something Is Coming To Our World.

You might even find your dog enjoys your poetry. (We know cowboys sing to their cows.) Here my dog, Jasper, seems to be engrossed in the anthology, The Animals In Our Lives, to which I contributed a poem about taking Jasper for neighborhood walks: “Canine Social Media.”

This humorous poem is the one that won me an award from The Dog Writers Association of America:

Meanwhile, poems keep coming to my heart and mind. And as I share them, they bring people together. I invite you to join the reading community of my latest poetry collection:

I wish you happy and meaningful poetry reading and sharing!

Joy and peace,

 


If you appreciate my posts and poetry, I hope you’ll read my books! If you want to send some quick encouragement for me to keep on keeping on, then here’s something else you can do:

Much appreciated!

 

 

 

Writing for Readers in Today’s Culture

Many readers are also writers—whether published or not.

Are you a writer of sermons, blogs, letters, poetry, memoirs, essays, or books?

I invite you on a journey with me to discover, discern, and re-affirm a creative, organic, adventurous view of writing and publishing ministry today. Join me on this journey by reading my latest book, Write & Publish Organically: Dig Deep, Tend the Soil, Help Newness Emerge.

My vision of faith-based writing and publishing is like growing a garden that is not only productive but beautiful and good and true. It gets you in touch with “what is really real.” It gives life to all touched by the garden: workers, pollinators, neighbors, and consumers of the garden produce.

How does this vision fit within a post-modern, increasingly pluralistic and secular society, and a divided political landscape?

Churches are re-evaluating what ecclesia means, many Christians are deconstructing—and some are reconstructing—their beliefs. A growing number of the population identifies as SBNR (“spiritual but not religious”). They include the “Nones” (no religious affiliation) and the “Dones” (those who have left organized church). In this changing landscape how and what do we write and publish—especially in a sustainable way that will last and continue to grow and have influence?

In Write & Publish Organically, I consider five aspects of what I call organic publishing: Soak, Spoke, Evoke, Provoke, and Stoke. I show how we need to …

  1. SOAK (first ourselves and then our readers) in mentally, physically, socially, spiritually healthy
    nutrients, water, and life-sustaining soil.
  2. Listen to wise words and the Living Word SPOKEN through the ages and still speaking. Then use words ourselves with care and creativity.
  3. Write narratives to EVOKE the beautiful, good, and true, the transcendent within the imminent, to remind and re-enchant.
  4. PROVOKE with our writing, cultivating vision, action, and community for a future of healing, renewal, and wholeness.
  5. Continue to STOKE the fires of awareness, refinement, and relational engagement.

I choose the mindset of an under-gardener. My Father is the Gardener. Working with the Gardener, I purpose to dig, prepare the soil, and sow seeds with well-chosen, apt words. The resulting fruit may never be fully seen or measured. But I will seek to cultivate wheat, not chaff, and do it with love.

Join me, fellow writers and take the challenge of writing organically.

~Catherine

More about the book HERE.

 

 

 

Moments Morph into Poems

Our lives are built of moments in time and space. And just as one moment of your life doesn’t define you, so one poem doesn’t define a poet.

Some moments of my life I wouldn’t want anyone to remember. Some moments beg interpretation. But not every moment of life warrants being grappled with or immortalized in a poem.

Some of my poems come out of my humanness / humanity; some come from the living workings out of faith; some come out of my searching, listening, and questioning; some poems come out of the sensations of a moment.

Some moments that inspire poems are microcosms of creation’s cosmic array, snapshots of life’s bigger pictures. Some poetic moments are unique flashes or epiphanies that I wish could be repeated but will likely never come again, at least not quite the same. These moments have transformative power if we open our hearts to receive what they have to give. I think that is true, to some extent, of poetry as well.

I don’t sit down to make lines and rhymes, but to use words, rhythms, and metaphors to paint pictures of life’s moments of observing, noticing, being present to someone or something in a new way … of seeing a sometimes-startling new depth or aspect or facet of a fleeting, evocative, life-giving moment.

John Wesley is quoted as saying, “Learn the importance of every moment, which just appears, and is gone for ever!”

Poems come to the poet out of living moments that, penciled on paper, morph into verses of word art that can bring meaning to the reader’s own moments.

~Catherine Lawton

Susan Roberts Interview

[youtube https://www.youtube.com/watch?v=FVM_NFdV7Ag?rel=0&w=640&h=360%5D

 

Are you listening, in prayer, to what the Lord may be asking you to do? Are you watching for His answers? Susan Roberts describes how saying “Yes” to the Lord led her on an adventure of devotional discoveries. I interviewed Susan to find out why and how she wrote Everywhere I Look, God Is There.

A Checklist to Make Your Writing Shine

A marshy field in Colorado

The marshy field in this photo teems with life. When our car speeds by it, though, we don’t notice or experience the wildlife hidden in the grasses, wading in the mud, singing from the reeds. One day we stopped our car, rolled down windows; looked through binoculars; listened, felt, smelled; tasted the breezes. Myriads of bird life, colors, textures of fauna and flora brought the place alive to us. Good writing does that also: draws in the reader, reveals hidden things, opens possibilities.

I taught from the following list at a recent writers workshop. Afterwards, a couple of wide-eyed writers said to me, “You really want good writing.”

Well, yes, I do! The better-written a manuscript comes to me, the more I like it. Here at Cladach we may resonate with the premise and material of a nonfiction manuscript—we may like a novel’s characters and plot—so much that we are willing to devote the editing time needed to bring the writing quality and style up to these standards. We may ask an author to go back and re-write/revise/re-work a manuscript. Then we also do in-house macro editing, line editing, and copy editing. The following list gives most of the elements of style and “good writing” that we look for in a manuscript and strive for in the books we publish.

Here’s how to give your writing pizzazz so readers will want to invest in it, engage with it—be entertained, convinced, and inspired by what you say. Check your writing against this list to make sure it communicates as clearly and persuasively as possible.

 1.  Have you written from your heart as well as your mind? (If not, read this post. If yes, go on to the rest of the list.)

 2.  Write in the active voice. Choose strong, active verbs.

 3.  Write concretely, rather than abstractly. Show, don’t just tell. Appeal to all the senses.

 4.  In nonfiction as well as fiction, use storytelling as much as possible.

 5.  Stay in a definite, consistent POV. Through whose eyes is the reader seeing?

 6.  Hook the reader on the first page/ first paragraph/ first sentence/ first word.

 7.  Keep the reader’s attention as each word, each sentence, each paragraph, each chapter leads to the next.

 8.  Maintain a logical or chronological flow of thought or action. Use transitions when needed.

 9.  Strive for precision and conciseness. Cut extraneous/ repetitious words and phrases. Less is more.

10.  Give thought to word choices—consider subtleties, connotations, nuances; find the zing and zest of the right word.

11.  Vary sentence structure and length. Use periodic sentences often (as in these examples).

12.  Search for and remove troublesome words that hide like gremlins in your writing, words that are used compulsively but often aren’t needed. (Click here for my list.)

13.  Use your ear. Do the sentences flow well? In fiction, is that how people sound when they talk? Try reading your writing out loud.

Interview with Historical-Fiction Author John Buzzard

Christina Slike talked with John Buzzard, author of That Day by the Creek, which was a 2016 Foreword Indies Book of the Year finalist.

john1Here is their conversation:

CS:  Hello, John. I’m wondering what inspired you to write a novel based on the events of the infamous Sand Creek Massacre of 1864 Colorado?

JB:  I’ve been interested in the story since I was a child and saw the painting by Robert Lindneux in a book. Even at that young age I could tell something was wrong with Indians displaying the American flag while being attacked by American troops.  About five years ago I read Stan Hoig’s 1961 book, listed in every bibliography of Sand Creek publications. I couldn’t help but wonder what was the reaction of the Christian community in America at the time, especially the missionaries sent to the Cheyenne reservation.

CS: You blend fact and fiction skillfully. What offered you the most challenge in writing That Day by the Creek?

JB: Early on I realized I was writing an incredibly violent story for a Christian publisher and wondered if the climactic event of the massacre would survive the editing process. To Cladach’s credit everything remained intact. The atrocities I describe all came from eye-witness accounts and what is there is only a mere fraction of what occurred. Not to include the horrific acts would not do the story justice.

CS: Well, you weren’t graphic in your depictions. As you say, it is what happened. You balanced the tragedy with lighter fictional characters and scenes. That brings me to my next question: Which fictional character do you wish was real?

JB: Porcupine Pete, of course. It would be great to sit around a campfire some night with family and listen to his tales of living with the Indians and trekking through the Rockies. Surprisingly, he was an easy character to come up with. I didn’t want to just throw Josh out into the wilderness by himself. I don’t think he would have lasted out there too long.  Having a mountain man who is like a fish out of water while around government bureaucrats and politicians, but perfectly comfortable in the formidable mountains, seemed a natural choice. That’s how I came up with Porcupine. I am kind of curious how he survived wrestling that grizzly bear on a cliff edge.

CS: Porcupine Pete is my favorite character, too! What fun it would be to listen to his stories. … Then, of all the historical characters in That Day by the Creek, which would you choose to talk with, and why?

JB: I have two answers to that question. First is Making Medicine. During my research I found his biography, a real gem. I would love to hear his story and look at his artwork. Second is Silas Soule, even though he had a tragic end. Anyone who has been in the military knows what a serious offense it is to disobey an order from a superior officer, especially in the heat of battle. He was essentially ordered to murder women and children, and he refused, and ordered the men under him to do likewise.  In the end it cost him his life.

CS: Did you bring any of your own life experiences into this novel?

JB: I wasn’t sure how to describe the wedding between Josh and Sunflower, so I used details from my own. My wife Eva and I had a simple Catholic wedding in the Philippines at the hotel where we were staying. Afterwards, friends and family members brought in dishes of food and we had a real nice potluck.

CS:  Do you have plans to write more novels? Maybe a sequel?

JB:  Of course. I’m about four chapters into a historical novel about the Pleasant Valley Cattle War that took place in central Arizona in the 1880s.

CS: Sounds great. Here’s another question: Where do you write? Describe your writing space. What helps you focus and stay inspired?

JB: I have a spacious office at the house here in Tucson, aka “the man cave.” A large, L-shaped desk holds my computer and other accessories. Shelves are filled with books, CDs and DVDs. One shelf holds Bibles and concordances. The room also has a TV, stereo, and a hide-a-bed couch for overnight guests. Often the stereo is tuned to K-LOVE to keep a sense of spiritual peace in the room. The door to the rest of the house is always open, so my wife Eva or our German shepherd Rocky can enter at any time. I can’t stay focused on a writing project that starts to get boring. If it’s boring for me to write, it will be boring for someone to read. When the pace starts to slow, I add another element to keep things interesting, which usually keeps me inspired.

CS: Do you have any upcoming author appearances online?

JB:  Yes, I recently gave an in-depth interview to fiction writer Faith Parsons on her blog.

CS: Thanks, John. Readers can know you a little better now. We look forward to further stories and inspiring plot twists coming out of your time in the writer-man cave!


Christina Slike has assisted in the editing and marketing of many titles for Cladach Publishing.