“Which do you like best? The mountains or the ocean?” My sister and I would ask each other.
I could never decide. In California for much of my life, I didn’t have to choose. We had both within close distance. I could look up and see the steadfastness of the Sierras or the Coastal Range with their redwoods, pines, deer, bears, raccoons, waterfalls and trout streams that fed the valleys. I could often feel the ocean breezes and smell the salt air from tides so full of power yet knowing their limits, from waves that lapped like earth’s heartbeat.
The metaphors we claim as our own come to us from our surroundings like a fawn stepping out of the forest or beach glass glistening in the sand.
“Which season do you like best?” was another question my sister and I would discuss. Winter offered Christmas. Summer offered school-less, barefoot days, swimming and camping. Spring meant orchards in bloom, Easter, newness.
When I returned with my husband in midlife to my native state of Colorado, I found that daily life was even more determined by the seasons here, especially winter and summer. I found that Spring near the Rockies is a matter of winter and summer fighting it out until summer wins a precarious victory.
But fall remains my favorite season, a time of the year that most inspires me to write poems. As I prepare Remembering Softly: A Life In Poems, I find myself in the Autumn of my life. Christmas doesn’t bring quite the same delight and anticipation except as our grown children and our six grandchildren share the celebrations with my husband and me. Summer I love in this high country, where wildflowers bloom from spring to early fall, the scent of summer rains on prairie grasses imparts indescribable sweetness, and sunsets paint glorious colors across the wide sky.
But fall … During this season of life colors have muted a little, most storms have settled, and anticipation of change keeps one mindful that each era of life comes—and then passes. We must gather the harvest, the fruit, the beauty—as I do from my garden—and preserve it, distill it, package it to sustain us in the winter and to share with others.
When we lived near the Pacific Coast of Northern California, we enjoyed hunting for agates on the beach any time of year. Sometimes as a wave receded, we’d see the semi-precious stones tumbling in the gravelly sand. This process had polished them to translucence, often revealing mossy patterns inside, each unique and formed by the accumulated years. Other types of agates are found in the mountains and on the plains. Each of these gems uniquely encapsulates the effects of pressures and changes in the formation of our earth home. Yet, looking deep within each agate elicits a certainty that these natural processes were guided by a beautiful, loving, almighty Creator.
I think poems are like agates.
This week I had a conversation with my sister, who has also written verse. “Where does a poem come from?” we wondered aloud. Sometimes it seems to rise up from some secret place deep within. Other times a poem—or the inspiration for one—seems to come from without. Our grandfather used to say with a twinkle in his eye that he wrote poems when the “muse sat on his shoulder.” To me it seems as if help comes surely, perhaps from a literary angel. In his poem, “The Country of Déjà Vu,” Wendell Berry asserts that his poems “came through the air, I wrote them down, and sent them on” like migrating birds stopping at his feeder. Perhaps that is as good an explanation as any.
I still marvel at an experience I had in my young adult years. At home with two toddlers, my husband busy with his career, I was emotionally bound up by griefs and losses, especially the death of my mother. I hadn’t written a poem for a long time. One evening I went by myself to a poetry reading at a religious retreat center near our home. I knew no one there. The woman poet read with warmth from verses full of life and light and love. I didn’t go expecting this to happen; but, somehow, soaking in the spoken rhyme, rhythm, and sense, awakened the gift in me. For months after that evening, poems began freely coming to mind. The opening of this fountain provided one part of the healing the Lord began working in and through me, which continues today.
Admittedly, I am not a disciplined poet. I can compose meter and rhyme on demand; but mostly I wait for that elusive and mysterious inspiration. The important thing is to capture on paper the phrases, images, and insights as they come; to sit with them, savor them, polish them like agates; and if they pass the test of holding together and ringing true, to share them.
I won’t limit each poem’s meaning by trying to explain the emotions and experiences that, for me, are encapsulated in each one. As I send them out, they are free to take on new meanings as each reader looks into them. Perhaps for you a poem will speak to a quandary, a sorrow, or a joy you are experiencing at this season of your life. That is the beauty of sharing a gift of poetry.
Photo: Overlooking a Lost Coast beach, Humboldt County, CA. © C.Lawton
This essay was first published as “A Word About These Poems” in the book, Remembering Softly: A Life in Poems.
My second collection of poems is Glimpsing Glory: Poems of Living & Dying, Praying & Playing, Belonging & Longing